Lesley University College of Art and Design

 Program Structure

Michelle Rogers Pritzl - Proof of the Strength of the Experience

Admissions Requirements

Application Deadline: March 1
Next Start Date: September 2018 - with MFA Orientation at the end of August 2018

Regulatory Accreditation: NASAD, NEASC, State of Massachusetts

Applicants will be required to hold a BFA, BA, BS, or other comparable and accredited degree from a recognized college or university, preferable in the field of the visual arts. Waivers will be considered for candidates with exceptional portfolios demonstrating their promise for success in the program.

Applicants must submit:

  1. A completed graduate application form and application fee.

  2. A portfolio of work completed within the past three years consisting of 20 images electronically submitted on Slideroom. Please check with Graduate Admissions regarding the optional submission of the written and visual components in your application via Slideroom, Flickr, Vimeo, or personal web site.

  3. A resume reflecting the student's education, art and work experience, exhibitions, awards, publications, etc.

  4. Official transcripts from all undergraduate and graduate work.

  5. A resume reflecting the student's education, art and work experience, exhibitions, awards, publications, etc.

  6. Two letters of recommendation.

  7. A written statement reflecting the students' artistic goals and work.

The primary component of a candidate’s application will be a representative portfolio of 15 – 20 works, submitted to Slideroom.com for MFA Committee evaluation. This submission must demonstrate a clear and coherent vision conceptually, as a series, or as evidence of connected projects. It is expected that a candidate for the MFA in Photography will have strong technical skills, coherent syntax, and the ability to discuss their work on a conceptual and historical level. Applicants should also be able to discuss where they see themselves and their work within the context of the medium.

Applicants will be asked to submit a personal, and concise, essay discussing their art and relevant autobiographical / artistic influences that have contributed to its creation. This essay, incorporating a statement of purpose describing the candidate’s intentions during the degree program, and transcripts, are also instrumental in defining the candidate to the Admissions Committee. Letters of reference will be requested. It is strongly suggested that seriously interested applicants come and visit the University and the Director of the program. Participation in Seminars and juries can be arranged.

Dan Baird Miller, Image 8, 2013

Two-year program - 4 semesters - 60 credits

Semester 1
Graduate Studio Seminar I - 6
Issues in Art History & Visual Culture - 3
Photography as a Cultural Practice - 3
Studio Elective - 3

Semester 2
Graduate Studio Seminar II - 6
Art History or *Critical Studies Elective - 3
Art in Context - or *Professional Studies Elective - 3
Studio Elective - 3

Semester 3
Graduate Studio Seminar III - 6
Art History or *Critical Studies Elective - 3
*Professional Studies Elective II - 3
Studio Elective - 3

Semester 4
Graduate Studio Seminar IV - 6
Thesis Studio (studio exclusively for thesis work) - 6
Professional Studies Elective II - 3

MFA Seminar and Thesis Grading Guidelines

Graduate Thesis Seminar is a PASS / FAIL / SIP (Still In Progress) course. The expectations of someone about to receive a Master’s degree to accompany them through life are extremely high and the demand for excellence in your written and visual components will be strict. It is imperative that everyone who comes through this program, past, present, and future, is assured that the quality of their MFA degree is not diminished by the granting of it to someone who has not earned it. There are no exceptions to this component.

During final MFA Juries in the spring, your last semester of Graduate Studio Seminar (IGRPH 7400) will be evaluated simultaneously with Graduate Thesis Seminar (IGRPH7500). A PASS in both will be required for graduation.

The written, visual, and presentation components of your graduate thesis will be considered together and a PASS / FAIL / or STILL IN PROGRESS (SIP) evaluation will be determined by a majority vote of the jury, consisting of the Director, Graduate and Thesis Seminar faculty, Visiting Artists, and guest jurors.

If a STILL IN PROGRESS grade is given, it means that the jury has decided the thesis has not been
completed to a degree that merits the awarding of an MFA degree at this time.

If the problem is determined to be the written portion of the thesis, the candidate may re-submit the thesis to the jury for re-evaluation at any time up until the end of the following semester.

Any candidate receiving a STILL IN PROGRESS evaluation for the visual portion of the thesis will be given a second opportunity to present privately to a jury of Seminar Faculty and Visiting Artists near the end of the fall semester. Failure to take advantage of this opportunity will result in a final FAIL grade. Although the candidate will not be enrolled in the MFA program during this period, help and consultation will always be available when requested.

Jess Somers - Self Portarit #1, 2012

Degree Sheet

(Please refer to current course offerings on LOIS for updated listings and new course offerings)

Requirements: 60.0 credits

Graduate Studio Seminar- a 6 credit course taken in all 4 semesters *: 24 credits

Studio Elective - choose 3 courses from the existing The College of Art and Design studio electives plus Photography As A Cultural Practice: 12 credits

3 credits - IGRPH 5100 Photography As A Cultural Practice (fall - required Semester 1)
3 credits -
3 credits -
3 credits -

Art History or Critical Studies Elective - Choose three courses from the list below: 9 credits
3 credits - IAHIS 5100 Issues in Art History & Visual Culture - (Required in Semester #1)
3 credits - IAHIS 5200 History of Photography
3 credits - IAHIS 2210 Testament: A History of Documentary Photography
3 credits - IAHIS 5220 The Power of German Film and Photography
3 credits - IAHIS 5460 The History of Animation
3 credits - IAHIS 5025 Cinema Eye, Cinema Art
3 credits - IAHIS 5043 Curators, Critics & Collectors
3 credits - IAHIS 5290 Art and Photography in Contemporary China
3 credits - IAHIS 5211 Testament: A History of Documentary Photography
3 credits - IAHIS 5311 Gender in Focus: History of Women in Photography
3 credits - IAHIS 5313 Photography and the Multicultural
3 credits - IAHIS 5380 New Media: History and Process
3 credits - IAHIS 5600 Art Since 1945
3 credits - IAHIS 5610 Design Discourse
3 credits - IAHIS 5900 Alternating Currents: Experimental Film and Video
3 credits - IAHIS 5200 Representing Representation
3 credits - IAHIS 5500 Art and Popular Culture
3 credits - IAHIS 5600 Postmodernism
3 credits - IAHIS 5620 Hyperculture: Art and Technology
3 credits - IAHIS 5910 Critical Theory
3 credits - IGRPH5200 Advanced Topics in Photography (*spring - strong recommendation)
3 credits - INTDS-5600 Writing & Creative Process (*spring - strong recommendation)
3 credits - IPHOT-5321 Documenting Village Life: Mexico
3 credits - IPHOT 5330 Contemporary Trends
3 credits - IPHOT 5340 Beauty and Fact: 19th Century Photography in the Digital Age
3 credits - IPHOT 5460 Cinema and Visual Response
3 credits - IPHOT 5390 Photography and Power
3 credits - IPHOT 5480 The Critical Eye
3 credits - IPHOT 5740 Art in Context

Professional Studies Elective- Choose three 3 credit options: 9 credits
Options can include: internships, adjunct faculty teaching fellowships, teaching assistantships, mentored independent studies, practicum or traditional course work in an area such as business management or art education. IPHOT 5740 Art In Context, IPHOT 5122 Professional Directions and INTDS-5600 Writing & Creative Process, will satisfy this requirement.

3 credits -
3 credits -
3 credits -

Teaching Fellowship Guidelines - IGRPH 7992

In the second year of the MFA Program, MFA candidates may be considered for two to four available Teaching Fellowships per semester, and will be employed by the University as regular university adjunct faculty. These Teaching Fellowship positions pay a full adjunct salary, based on experience, and are simultaneously worth 3-Professional Studies credits for the semester-long faculty position. A total of 9-Professional Studies credits, which may be earned with Teaching Assistantships, Independent Studies, or Internships, are required over the course of the degree. All candidates are able to make arrangements with BFA faculty and sign on as Teaching Assistants.

Although a Teaching Fellow will be paid a regular adjunct salary for the semester, and be qualified to list the experience on their CV’s as University teaching experience, the 3 credits are considered MFA coursework and are paid for by the candidate in the same manner as all other MFA degree requirements.

Preference for these few positions in the BFA Photography curriculum will be given to those who have successfully completed one or more 3-credit Teaching Assistantships in their first year and who have been evaluated by the faculty they assisted, the BFA Photography Chair, and MFA Director as being qualified to have a class of their own. Prior teaching experience may serve as a substitute for a first-year Teaching Assistantship. Teaching Fellowships will be matched to specific undergraduate classes where appropriate expertise can be expected and demonstrated. The most common assignments are Introduction to Photography for Non-Majors: Digital (in the fall) and Intro to Photography for Non-Majors: Traditional (in the spring). Teaching Fellows will be supplied with examples of syllabi from previous classes and be asked to create their own syllabus in consultation with the BFA Chair and MFA Director.

All candidates who have completed one or more Teaching Assistantships will be able to apply to the MFA Director for an Introduction to Photography for Non-Majors: Digital or Introduction to Photography for Non-Majors: Traditional Wet Lab. The Chair of the undergraduate program that hosts and schedules these courses (Christine Collins) and the Director will select the people they feel will perform at the highest level for those particular classes. In a majority of recent examples, two candidates have requested and were able to team-teach the course, sharing the experience and learning from one another. In a team-taught course, both candidates would still receive 3-credits for the Teaching Fellowship but only half of the stipend of the full adjunct rate as each course is given a specific budget line that cannot be exceeded. If enrollment from other departments demands it, we can run more than a single course per semester, thus offering more opportunities to the MFA candidates.

When the BFA Chair and the MFA Director specify which MFA candidates they want to teach the class, an invitation is extended and then paperwork for adjuncts be taken care of by Carolyn Latourelle on the Academic Affairs office at Lunder. That completed paperwork then goes to Atoosa Malekani to get them into the system as faculty. Registration for the 3 credits is done through Academic Advising / LOIS in the same manner as any other course so the candidate can get the credits. At the conclusion, all Teaching Fellows are asked to write a short document describing their experience. The Fellowship candidate’s name is listed on the MFA Director’s LOIS grading sheet and the candidates are awarded a PASS, or a FAIL, for their performance in the course.

Recent Internships:

  • Harvard University Ceramics Program

  • Photographic Resource Center, Boston

  • Paul Taylor Printmaking

  • Project Nica, Nicaragua

  • Maine Media Workshops

  • Santa Fe Photography Workshops

  • Institute of Contemporary Art, Boston

  • Boston Magazine

  • Boston Public Schools

  • Cambridge Public Schools

  • Boston Red Sox – Fenway Park (Yay!)

MFA in Photography Additional Requirements in Studio Electives

Any course cross-listed as a MFA in Photography Studio Elective must have additional assignments/expectations to reflect the appropriate level or the amount of student learning expected of the MFA candidate. This can be in the form of extra writing, studio projects, critical thinking research, communications and / or participation. This will need to be reflected in the syllabus and defined for the MFA student. Every MFA student is required to accomplish the added requirements and demonstrate a higher level of achievement and / or proficiency in the studio electives as determined and required by the professor.

Anna Yeroshenko _ Self and Alex #6 2014 (72)